Arab World English Journal (AWEJ) Vol.6. No.2 June 2015                                              Pp. 329 – 336
DOI: https://dx.doi.org/10.24093/awej/vol6no2.25

 Abstract PDF

 Full Paper PDF

Syrian Drama Escaping Censorship: Sa’dallah Wannous’s The King’s Elephant and The King is King

 

 Samar Zahrawi
Department of foreign Languages
College of Humanities and Social Sciences
Sam Houston State University Texas, USA   

 

Abstract:
Sadallah Wannous (1941-1997), a leading Syrian playwright, was concerned in his political theater with preaching democracy and raising the awareness of the masses in order to have more involvement in the public arena. His drama was hurdled with censorship and  he had to find indirect ways in his plays to instigate opposition.  This article investigates whether the lack of freedom of expression curbs the creativity of the dramatist.  My aim is to study and evaluate  the dramatic techniques Wannous used in his attempt to circumvent censorship.   This is mainly done through a critique of his plays in the light of my textual analysis, Wannous’s statements in his non dramatic writing and available literary criticism. Wannous’s polemical play An Evening for the fifth of June (1967-8) was banned after the first performance. Two later plays were chosen for this study; The King’s Elephant (1969) and The King is King (1977). In both plays, Wannous analyzed the nature of authoritarianism and the psyche of the repressed majority, and urged for dissent in far fetched plots that do not directly reflect the status quo. To do so, he made extensive use of fables, folk tales, allegory and symbolism. By exploring new theatrical modes, Wannous was able, not only to politicize the masses, but also to  produce high quality art that is thought-provoking and entertaining at the same time. For the purpose of economy I limited my article to two plays.  However The Adventure of the Slave Jaber’s Head (1970) is very pertinent to the main question herein and can be added later in a more extended book-length study.
Key words: Censorship, Revolution, Syrian drama, Syrian theater, Wannous.

Cite as: Zahrawi, S.(2015). Syrian Drama Escaping Censorship: Sa’dallah Wannous’s The King’s Elephant and The King is King. Arab World English Journal, 8 (1).
DOI: https://dx.doi.org/10.24093/awej/vol6no2.25

Share on facebook
Facebook
Share on twitter
Twitter
Share on linkedin
LinkedIn
Share on tumblr
Tumblr
Share on reddit
Reddit
Share on email
Email
Share on stumbleupon
StumbleUpon
Share on digg
Digg
https://dx.doi.org/10.24093/awej/vol6no2.25
Share on facebook
Share on twitter
Share on linkedin
Share on tumblr
Share on digg
Share on email
Share on reddit
Share on stumbleupon
Share on vk

Dr. Samar Zahrawi is Assistant Professor at Sam Houston State University, College of
Humanities and Social Science, Department of Foreign Languages. Having a background in
English and comparative drama, she is currently focusing on Syrian drama.